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"Kiss Goodbye:" The Very Last One in a Very Long Line

12/25/2018

9 Comments

 
One of the most gratifying personal aspects of moving to Columbia has been having the time, space, and resources to do art. I've got a notebook, some tools, a supportive family, a half of a garage, plenty of ideas, and a bunch of neighbors who give me their junk. In the last couple of years those ingredients have let me go places I never thought I'd be able to go. I've won things, sold things, met some great people, and had a lot of fun in the process. 

When I started messing around with sculpture about ten years ago (in the capacity that I could at the time), memory and sentimentality were core components of what I was interested in. Those remained central thoughts as I ramped up here in Columbia, and were the organizing theme of the "Afterburner" show I had at Tapp's in the spring of 2017.  Over the last couple of years I have continued chasing those feelings while trying to lean forward, pushing my vision, improving my technical skills, and expanding the range of materials I work with.

The end of this semester was a busy one for our family, and I found myself working more in the evenings than on the weekends. After I finished "Passenger" in November I worked mostly on two pieces I had started earlier during the summer: "Painted Swan" and a dancing fox I'm calling "Kiss Goodbye." It was while working on the fox over the course of several rainy evenings listening to the radio that I realized that I'm at a pivot point in my art: the Afterburner series is over. Fifty is a nice round number.

I based the posture of the fox on a line drawing I found online. I wanted the animal to be light, dynamic, and playful. And I wanted the base to be the opposite. The fox is springing off a dead weight (an engine block), saying goodbye to a heavy, broken mass that won't ever move again.
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As an archaeologist, I take it as axiomatic that you can't understand the present without knowing something about the past. The past provides context, texture, richness, and direction. Memories of the past are important. But they can also be toxic. They can be limiting when they become an obligation. Sometimes it's best to let them be what they are and move on -- take the power but leave behind the handcuffs.

Over the last few years I have developed my own style, created a cast of characters, and scratched out -- though both creation and discovery -- a vague grammar of symbols, shapes, and colors. I have a lot of ideas and a lot of energy, and I feel like I'll be able to both harness and unleash a lot more of both if I let myself out of the memory box. And so I'm out. The memories are there, but I'm going to attempt to defang them. Let's see what happens next.
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Here is a video:
9 Comments
Cynthia
12/25/2018 03:59:25 pm

You are so very talented. I absolutely love this piece.

Reply
Andy White
12/28/2018 06:13:12 am

Thank you, Cynthia!

Reply
Matt
12/25/2018 05:58:39 pm

Awesome art Andy. Can't wait to see your future pieces (no pressure) lol

Reply
Andy White
12/28/2018 06:13:32 am

Bring it.

Reply
GEET
12/26/2018 04:52:17 am

This is Amazing, Andy. Hope you and your family had a great Christmas!

Reply
Andy White
12/28/2018 06:14:03 am

Thanks Gee!

Reply
Trish
12/27/2018 03:28:07 am

Simply gorgeous!

Reply
Andy White
12/28/2018 06:14:24 am

Thanks Trish!

Reply
PNO TECH
12/28/2018 09:45:32 am

Andy, that is freakin' >incredible <
I work with/on metal daily, and it's heavy, dead stuff. You started with a solid workaday chunk, then spiraled upward toward eartherial whisps.
Beauty, man!

Reply



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